Showing posts with label handout. Show all posts
Showing posts with label handout. Show all posts

Monday, May 17, 2010

IMPROVING PAPER

The Writing Center

Franklin & Marshall College

Compiled by Anisa Caesar, spring 2010

How to Make a Good Paper

an Excellent Paper

This sheet is designed for those students who have a firm grasp on the basic mechanics of writing but who are looking for ways to fine-tune their papers stylistically. Let’s assume that a paper has a solid, interesting thesis, effective organization, and flawless grammar and punctuation.

The following guidelines are to help you make an already good paper more stylistically mature and, therefore, more enjoyable to read. Remember as you read that all of these sentences could be changed and rearranged in a number of ways; each sentence serves as an example, not the example.

1. Vary Sentence Patterns

The key to interesting writing lies mainly in variety. Obviously, since a paper is comprised of a string of sentences, one of the best ways to lend a paper variety is to use different sentence structures. To do this, break from the normal pattern of subject-verb-object and try coordination and subordination.

• Coordination: the joining of simple sentences to form compound sentences (using coordinating conjunctions like and, but, or, for, nor, yet), or the joining of similar elements of different sentences (e.g., combining the subjects of two sentences if they perform the same action).

good: Mrs. Whitesell teaches College Writing. She also directs the Writing Center.

better: Mrs. Whitesell teaches College Writing, but she also directs the Writing Center.

(two simple sentences combined by but to form a compound sentence)

or: Mrs. Whitesell is not only an English teacher but also is Director of the Writing

Center.

(Two predicate nominatives were combined into one compound predicate

nominative[underlined] and placed in the same sentence.)

• Subordination: the turning of a related sentence into an appositive phrase or dependent clause. Three major types of modifiers are noted here which will help to vary sentences by allowing the writer to place emphasis on different ideas.

good: Brian Miller is a tutor at the Writing Center. He’s a funky guy.

better: Brian Miller, a tutor at the Writing Center, is a funky guy. (The underlined words have been turned into an appositive phrase.)

or: Brian Miller is a funky guy who tutors at the Writing Center. (The underlined words are a relative clause, introduced by a relative pronoun; it is similar in effect to using an appositive phrase.)

or: Because Brian Miller is a tutor at the Writing Center, he’s a funky guy. (The underlined words are a causal clause, introduced by because. Since or as can also be used; these types of clauses are used to emphasize a cause and effect relationship between two sentences.)

or: When Brian Miller tutors at the Writing Center, he’s a funky guy. (The underlined phrase is a temporal clause, indicating a relationship in time between two sentences. Other words which may introduce such a clause are while, during, after, etc.)

2. Vary word order

You can also make sentences interesting by examining the pattern of words within each

sentence. Try to rearrange the usual order of noun-verb modifier to spice things up a bit.

good: Steve Goldstein ran reckless and screaming from the tutoring room.

better: Reckless and screaming, Steve Goldstein ran from the tutoring room. (The underlined adjectives have been moved to the front of the sentence to emphasize the manner in which Steve fled the room.)

3. Vary diction

Diction is a fancy word (and therefore interesting!) for word choice. Use language that is

varied, interesting, vivid, and fresh. In short, avoid writing tired words.

• Avoid trite language: i.e., don’t use cliché phrases.

example: In an ideal world, writing tutors who are over the hill would retire before they were past their prime.

better: Ideally, aging writing tutors would retire before they lost their grammatical skills. (The underlined words replace the cliché phrases in the preceding sentence.)

• Use interesting vocabulary, but be careful not to sound strained. A good rule of thumb is that if you’ve already forgotten what the word from the thesaurus means by the time you reread your paper, don't use it! For example, the words correspondence or compositions are fine to replace writing; but the word graphorrhea is a little much. (And yes, it really is a word!)

• Use active verbs: Prefer strong verbs to drab ones; look especially to replace forms of the verb “to be.”

good: Professor Jennings is in the English department at F&M.

better: Professor Jennings teaches in the English department at F&M. (In this sentence, the verb does the work and makes the sentence more active.)

4. Vary punctuation

Varying punctuation patterns can work wonders in a paper. Try straying from the repeated use of periods and semicolons to combine related independent clauses. Try using colons to combine sentences of equivalent meaning, or use dashes to emphasize or subordinate a phrase.

good: Shaheen tutors in the evening. However, her club meets every other Thursday after dinner, so she was forced to compromise.

better: Shaheen was forced to compromise when her club meetings — every other Thursday evening — conflicted with her work schedule.

or: For Shaheen, a compromise was necessary: she could not go to work and attend the meeting at the same time.

Jodie Dalton ‘96

Sunday, April 25, 2010

INSIDE EDMUND PEVENSIE

INSIDE EDMUND PEVENSIE

The Chronicles of Narnia; The Lion, the Witch, and the Wardrobe

A paper in completing the Thematic Film course assignment

In the World War era, a son in family usually taking charges of his family in joining the military or as a chief in his family just like in The Chronicles of Narnia; The Lion, the Witch, and the Wardrobe to context it with pro-adulthood. The man versus self conflict that happened to Edmund also had some effects related to how Edmund character’s formed and what archetypes he fixes to. So that, Edmund Pevensie became an interesting character to track down of his advanced information.

The man versus self conflict firstly shown in the movie plot in Edmund as a younger son of Pevensie family conflicting with his older brother, Peter who taking charges of his brother and sisters while their father sent to the war. The growing up Edmund ( Skandar Keynes ) was tried to prove himself as a man, and not a boy bellowing Peter the alpha male anymore. Progressing the adulthood problem that happened to Edmund, it almost made him as an heckler in his attempt of rebellion and when he pretends to not believe in Lucy. Furthermore, Edmund easily trust the White Witch who offered him candies and authority as the king of Narnia in order to get information from him. Afterward, the White Witch asked Edmund to bring his brother and sister to Narnia. Through no curious in the witch’s order, Edmund slowly became a traitor betraying his brother and sisters, he was brought his brother and sisters into Narnia that later would endanger them all. In short, Edmund’s ways to get power finally makes him categorized as a traitor.

Seeing bad results of what he has done, Edmund was going back to his brother and sisters, trying to change his image. In Edmund’s willingness to assist his brother, Peter, on the war against the White Witch’s troops has formed Edmund into a hero. He felt that he did not needs the authority from the White Witch anymore, because he knew that they had prophesied to have rule in the Narnia world. As a result, Edmund’s effort in get his brother and sisters also the whole Aslan’s follower trust in him was changed him into a sidekick for his brother, his sisters, and all people who fight for the bright of Narnia.

To conclude, the rise and down plot of this movie have explained how the adulthood conflicting between the brothers. Relating to the hero definition, the Pevensie children were not realized that they are heroes that have destined to, so that, they were categorized as reluctant heroes. In addition, the adventure in the wilderness also formed each character to the way they use to be, especially Edmund who turned from the dark into the light. As the movie’s tagline said “some journey take us far from home, some adventure lead us to our destiny.”


Credit

The Chronicles of Narnia; The Lion, the Witch and the Wardrobe. Dir. Andrew Adamson. Perf. Georgie Henley, Skandar Keynes, William Moseley, Anna Popplewell. Walt Disney Pictures. 2005. VCD.


by Anisa Caesar, Spring 2010



Wednesday, April 21, 2010

Advanced Speaking 1

Anisa Caesar Intan Firdausi, Rr.

ID#A2B008085

Advanced Speaking D


What Makes A Good Speaker is Good Speaker?

Although the values of speaking English is dominated by culture, there is always a chance to be a good speaker for someone who is not a native English speaker. I would like to categorize Mrs. Christine Resnitriwati, one of teacher in our English Department as a good speaker. No matter if she speaking in British dialect or Australian, from my personal perspective Mrs. Christine has qualifications as a good speaker. Firstly, she speaks in right tone pitch, clear pronunciation, and medium volume of voice. Secondly, she focused to her topic with organized grammar. Physically, she does not give much of gesture or movement. Everything is in the right measurement. But there is something that makes her audience paying attention, discipline. In my opinion, Mrs. Christine could involved herself in student personal concealing to improve the student spirit of studying English. It is true that Mrs. Christine experiences both living abroad and active speaking in English affected to her ability. However, I am giving my arguments about Mrs. Christine speaking ability in order to examine good exemplifications of her.